THE
COURTESAN AND THE GIGOLO: THE MURDERS IN THE RUE MONTAIGNE AND THE
DARK SIDE OF EMPIRE IN NINETEENTH-CENTURY
PARIS
By Aaron Freundschuh
Stanford University
Press. 258 pages. £20.99/$24.95. ISBN 978-1-5036-00829 (paperback)
Reviewed by Jim Burns

On March 17th, 1887, the body of a woman, aged around
forty, was discovered in her boudoir in an apartment on the rue
Montaigne in Paris.
Another body of a middle-aged woman was found in a nearby bedroom,
along with that of a young girl of about twelve years of age. All
the victims had been killed in a particularly brutal manner with
some sort of knife, and the girl’s head was almost completely
severed from her body.
The first woman was Marie Regnault who, for the purposes of her
business, went under the name of Régine de Montille. Her business
was that of a courtesan, a high-class prostitute. The woman in the
bedroom was her housekeeper, and the girl the housekeeper’s
daughter. The furnishings and fittings
in the apartment, together with original paintings on the
walls, pointed to Marie Regnault being successful in what she did. A
collection of calling cards made it clear that her clientele
included some wealthy men.
Among the calling cards was one from Enrico Pranzini, a man who, it
turned out, had a colourful, and what might best be described as a
shady background. He was born in 1856 in the Egyptian port of Alexandria,
though his parents were Italian. According to Aaron Freundschuh,
Pranzini “thought of the Islamic Ottoman Empire as his homeland. To
Parisians, he was an `Arab-speaking Levantine’, a hybrid of East and
West, who in this era of `scientific’ racism, exemplified an
inferior racial constitution”. This was something that was to be of
importance when later events put Pranzini on trial for his life.
Pranzini, before arriving in Paris, had travelled quite extensively. He
spoke several languages and had worked as an interpreter for the
Russian Army during disputes with
Turkey
over territorial claims. He had also been an interpreter with the
British Army during its adventures in
Sudan
and Afghanistan.
Various commercial dealings came and went, he spent some time in India, and
Pranzini had been convicted of theft when he was employed by the
Egyptian Postal Service and imprisoned for nine months.
During later investigations some people claimed to have been duped
and swindled by Pranzini when they had business relationships with
him. And he was said to have been very much a ladies’ man, and known
to cultivate friendships with wealthy older women. There were other
allegations, including one of male prostitution when necessity
demanded it, all of which no doubt matched suspicions about the
moral degeneracy of Middle-Eastern types, not to mention Jews and
Latin-Americans. All were looked down on by many people in Paris.
Initially, Pranzini wasn’t considered a suspect in the murders. Some
clues at the scene of the crime appeared to point to other possible
killers. Cuff links found in the apartment had the initials G.G., as
did a belt, and were linked to a Gaston Geissler. He was traced to a
flea-bag hotel in Paris,
but had left when police arrived to arrest him. A confrontation with
the hotel manager about an unpaid bill had led to Geissler leaving
his belongings behind when he quit the premises. The police thought
he might return, but details of his name and the hotel were printed
in newspapers, and may have alerted him to the fact that he was
being sought for questioning. The role of the press became crucial
as the investigations into the murders continued. A journalist named
Georges Grison was to become notorious for his clashes with the
police about their handling of the case.
Pranzini had left Paris a couple of
days after the bodies had been discovered, and turned up in Marseilles, where he
registered at a hotel as “Dr. E.Pranzini, Swedish Doctor”.
Freundschuh says that Pranzini visited a local brothel “and
paid for a threesome with two female prostitutes”. He offered to
sell them some jewellery, which aroused the brothel owner’s
suspicions. The local police were alerted and Pranzini was arrested.
What particularly interested the police when they searched
his belongings was a bag containing “a considerable stash of love
letters ……..tucked alongside some female garments and bespoke
feminine handkerchiefs”. It helped to convince the authorities that
Pranzini was a gigolo, “whose distinguished features and worldliness
enabled him to seduce well-to-do women and then prevail upon them to
part with their valuables”. But, as Pranzini, who was quite open
about his involvements with women, pointed out, his life-style,
reprehensible though it may have been to many people, did not mean
that he was a murderer.
The murders, the funeral of Marie Regnault and the other victims,
and the subsequent auction of her possessions, aroused a great deal
of interest among the public in general. The newspapers, both in France and
abroad, reported In detail what was known about Regnault’s life, and
there were suggestions that the young girl, also known as Marie, may
not have been the housekeeper’s daughter, but Regnault’s. She had
been kept away from whatever business the courtesan transacted in
her rooms, and sent to a decent school to be educated. And,
significantly, Regnault’s will named the girl as the sole
beneficiary.
The Paris police were notified that
Pranzini was being held in
Marseilles, though oddly the information was
passed to them by a reporter. Other newspapermen, besides Georges
Grison, often had good cause for criticising what appeared to be the
disorganised way in which the police operated. Freundschuh is
informative about the Paris police,
and in particular the Vice Squad which was largely made up on
ex-military men who had served in the French colonies in Africa and
the Far East. Their methods,
sometimes based on how they had acted with local populations, were
not always suited to the French metropolitan area. It has to be
said, too, that compared to what exists today, the equipment and
facilities available to the police were limited. It wasn’t unusual
for the police to arrive at a crime scene after the press.
Once he was brought back to Paris, Pranzini was interrogated by the
Investigating Magistrate, Adolphe Guillot. Freundschuh says that:
“Guillot’s feints led Pranzini into needless self-contradictions,
stonewalling, and backtracking”. He was asked if he’d ever met
Regnault and denied that he had, and at that point Guillot produced
Pranzini’s calling card, which had been found in her apartment. He
then admitted knowing her, but claimed that their relationship had
nothing to do with sex. He probably couldn’t have afforded to pay
for her favours, so what were his reasons for visiting her? He’d
obviously noticed that her apartment was luxuriously furnished so
she clearly had money. Did he hope to charm her out of some of it?
Or have sex with her for free?
There had been a series of murders of courtesans, but it was shown
that Pranzini had not been in
Paris
when they were committed, so police attempts to pin them on him fell
through. And, whatever else he had done, there was no evidence that
he had used violence in the past, and certainly not the sort of
violence employed for the three murders. It indicated a calm, almost
sadistic streak, especially as the murderer had lingered in the
apartment for some time, and had most likely written a fake letter
to throw suspicion on Gaston Geissler.
Pranzini was sent for trial and the proceedings sometimes got close
to being turned into entertainment. The Judge was biased from the
start, reading out some of the love letters, highlighting Pranzini’s
reputation as a gigolo, which he referred to as “the saddest means
to get by”, and belittling efforts to mount a
defence . Pranzini had been living with a woman named
Antoinette Sabatier, a respectable person in steady employment who
was some years older than him. She had first of all told police that
Pranzini was at home with her on the night of the murders, but after
being questioned, and possibly under duress (the police threatened
to charge her as an accessory to the murders), she retracted her
statement. Pranzini himself claimed to have been with a society
woman on the night in question, but refused to name her.
The circumstantial evidence against Pranzini – his calling card, his
contradictions about his whereabouts, his flight to Marseilles, his
having trinkets probably from Regnault’s apartment in his
possession, persuading his mistress to pawn some jewellery so he
could buy a rail ticket to Marseilles
– looked damning enough. But it may be that what finally
clinched his guilt in the eyes of the jury was Antoinette Sabatier’s
testimony from the witness box. She was in love with Pranzini, and
always maintained her views that he was not a killer, but under oath
she said that he hadn’t been at home on the night of the murders,
and that he admitted to her that he had been present in Regnault’s
apartment when they took place. His story was that he was visiting
when another of her clients arrived. Regnault panicked and told
Pranzini to hide in a “large armoire” in the corridor outside her
boudoir. When he emerged from his hiding place he found the three
dead females.
It seemed an unlikely story, especially as other tenants in the
building testified that they had heard noises – something dropping
to the floor, “hideous” cries”, - so surely Pranzini would have been
aware of them? Pranzini denied that he’d ever told Sabatier anything
about being in Regnault’s apartment.
Pranzini was found guilty and sentenced to death. He was guillotined
on the 31st August, 1887, his execution bringing out large crowds to
watch it. His body was then dissected, with the choice parts going
to various medical schools and other institutions. What was left was
picked over by journalists and the police. There was a scandal when
it became known that some policeman had card cases made out of
strips of Pranzini’s skin. It led, in turn to the resignation of the
President when a senior policemen, in an act of revenge for being
pilloried as one of the offending officers, released information
about the activities of the President’s son-in-law. There were
references to a prostitution ring, and to a trade in decorations for
money at the Ministry of War.
This is a story in itself, and Freundschuh provides the basic
information about it.
I’ve sketched in the details of the Pranzini case, buti Freundschuh
does much more than that. He uses it to cast a harsh light on French
society in the late-19th century. Did the fact that Pranzini came
originally from
Egypt
have some bearing on the way he was vilified by sections of the
press? The French had been humbled in
Egypt
when they lost any influence they had to Britain. There had been an uprising
against Europeans in Alexandria, and
the British quickly bombarded the city, seized the port, and
effectively took control of Egypt. Were
French resentments at their being pushed into second place in the
colonial contest, together with fears of the “other”, responsible
for how the Judge portrayed him as a gigolo, a man of low origins
from a foreign country who had pretensions above his status and was
able to seduce French women to further his ends? Loss of face as a
world power, when added to doubts about the virility of French men
being raised, made for a potent mixture.
There had been a great deal of prurient interest in a report
compiled by an anatomist, Dr. Brouardel who examined Pranzini
shortly after his arrest, In Freundschuh’s words: “Brouardel located
a single physiological trait that marked Pranzini as a threateningly
exotic Other, if not a criminal. The genitals, wrote the doctor,
`are very voluminous . The penis is long and thick. It is more than
four centimetres in diameter at the base; the scrotum hangs rather
low.’ In the coming months, rumours relating to the size of
Pranzini’s genitalia contributed to the making of a criminal
archetype and became a permanent part of his legend”.
Male French fears about the supposed virility of men like
Pranzini were no doubt heightened by Dr. Brouardel’s findings.
There was also the problem that Pranzini’s success with women raised
questions about their sexuality. If women were allowed to indulge
their sexual needs and desires too openly it could lead to the
collapse of French society, or so some influential men thought.
People like Pranzini had to be controlled, one way or another. And
French women like Antoinette Sabatier, who chose to live with and
seek sexual satisfaction from types such as Pranzini, had to be
shown to be morally corrupt.
It’s interesting to note that, around this time, there was a great
deal of concern (among conservative commentators, at least) about
the way in which many women appeared to be almost addicted to the
idea of shopping, especially for items like hats. Female shoppers
were said to be “frivolous” and carried away by “uncontrollable
desires”, and they “placed personal shopping satisfaction before
family commitments”. The parallels with male worries about female
sexual satisfaction are easy to see. Other observers took the view
that shopping gave women a form of independence, but then certain
men might well have objected to that, too.
It’s also useful to record that some of the women who worked in the
millinery trade, which was notoriously low-paid, were pushed into
turning to prostitution to earn money (see Hollis Clayson’s
Painted Love: Prostitution in
French Art of the Impressionist Era, Yale University Press,
1991, and Degas,
Impressionism, and the Paris Millinery Trade by Simon Kelly and
Esther Bell, Prestel Publishing, 2017). There is no suggestion that
Antoinette Sabatier was in any way involved in prostitution. She had
a good job at the milliner’s shop where she worked and appeared to
earn enough to support herself, and Pronzini, too, it would seem.
But it can be imagined that the combination of her employment,
her independence, and her association with Pranzini, would have
worked against her in
the eyes of many people.
The right-wing politicians and press in France laid the
blame for a general decline in manners and morals at the
government’s door. Allowing people like Pranzini to pour in from
French colonies and other parts of the world was a recipe for
disaster, or so it was averred by conservative journalists. Pranzini
probably was guilty, but even if he wasn’t it’s unlikely he would
have been acquitted. The racial and class odds were stacked against
him.
The Courtesan and the Gigolo
is a fascinating book, in which Freundschuh has much to say about
the nature of policing in Paris in the late-19th century, the
development of a popular, sensation-seeking press, the situation of
the courtesans, and much more. Politically, France was in turmoil in the
1880s, with General Boulanger attracting large crowds and
getting close to overthrowing the Government and having himself
elected, not only as President but possibly as a near-dictator.
Racism and prejudice were rife. In a few more years Captain Alfred
Dreyfus would experience the full force of an establishment hatred
of the “other” in a trial that divided French society in a far more
serious way than Pranzini’s had done.
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