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PENNILESS PRESS PUBLICATIONS RADICALS, BEATS & BEBOPPERS - Jim Burns MASOCHISTS IN AMERICA - Pierre Mac Orlan Tr: Alexis Lykiard BRITS, BEATS AND OUTSIDERS - Jim Burns Jim Burns
From Jim's Introduction This third collection of essays and reviews is somewhat different in content to Beats, Bohemians and Intellectuals and Radicals, Beats and Beboppers. Those books were primarily concerned with American writers, whereas this one has a dozen or so pieces looking at aspects of British writing (and art and music) from the 1930s to the 1960s. Some forgotten writers and magazines of the 30s and 40s are dealt with, and several items focus on the 60s, a period often derided as producing a lot of bad poetry. It probably did, but I suspect that's true of any period and the 60s also produced some interesting work and it was a lively time for little magazines and small presses. As the titles of the previous collections indicated, the Beats occupy what might be called a central role, and so it is here. I've included essays on leading lights of the movement, such as Lawrence Ferlinghetti and Allen Ginsberg, but have also written about lesser-known poets like Ray Bremser and Stuart Perkoff . There are surveys, too, of Venice West and San Francisco, where numerous minor writers congregated. They may not have been all that talented, and are probably forgotten now, but they deserve a place in any history of the Beat movement. The "outsiders" I've chosen are mostly poets and novelists who don't seem to slot neatly into any group. Ezra Pound is a major figure but the period I'm concerned with, when he edited the short-lived little magazine The Exile, shows him standing outside conventional categories. It may seem a long jump from Pound to Ernest Haycox but I don't see it that way. I look for interesting writing in all kinds of places and Haycox always seemed to me a much better storyteller than many of those being praised in the review sections of daily and weekly papers. There is a long review of a book about the artists' colonies that were popular towards the end of the 19th Century and into the 20th. The final essay, "Confessions of an Unrepentant Bebopper," does, I agree, cover some of the same ground as "Jivin’ with Jack the Bellboy" and "Bird Lives!" (in Radicals, Beats and Beboppers) but I think it has sufficient differences of interpretation of the basic material to make it relevant. Finally, it's time for a confession. I've sometimes used different names when writing articles or reviewing, the most common ones being John Dunton and Jay Burnett. John Dunton was a name I found in Pope's The Dunciad, and I first used it in Jazz & Blues in 1972 when writing a tongue-in-cheek article about Screaming Jay Hawkins, an oddball rock'n'roll performer. Jay Burnett was born when the editor of Mayfair wanted a short story but because I'd already written a couple of humorous articles for the magazine he thought that the story, a slightly sleazy tale with a jazz background, needed a slicker name attached to it. I carried on using both names over the years. Because the essays and reviews were written for a variety of publications over a number of years there are variations in formats. I have not attempted to standardise them in any way. Likewise I have not updated them in terms of references to individuals, publications, etc. I have in a few cases added some notes (pages 250 to 252) which may provide additional information. CONTENTS PURELY BY CHANCE: TOM HANLIN'S FORGOTTEN NOVEL THE COLLECTED GEORGE GARRETT FROM THE FORTIES BLACKBURN BEATS POETMEAT MOVE & PALANTIR UNDERGROUND REVOLUTION THE LIVERPOOL SCENE ENGLISH-ENGLISH POETRY NOTES TOWARDS A HISTORY OF BRITISH BOP BRYAN WYNTER LAWRENCE FERLINGHETTI AND THE BEATS BIG TABLE THE BEAT HOTEL STUART PERKOFF: THE FORGOTTEN BEAT RAY BREMSER: A BEAT ANGEL PHILIP LAMANTIA VENICE WEST THE SAN FRANCISCO POETRY RENAISSANCE ALLEN GINSBERG AND PARIS LEROI JONES AND THE BEAT YEARS OPEN DOOR AT THE RED DRUM SWANK GOES BEAT JIVIN' WITH JACK THE BELLBOY EZRA POUND AND THE EXILE THE BEST WESTERN STORIES OF ERNEST HAYCOX THE PITY OF IT: HUBERT CRACKANTHORPE WELDON KEES - MID-CENTURY MAN THE STRANGE CASE OF MARTHA DODD HENRY MURGER & BOHEMIA JON EDGAR WEBB AND THE OUTSIDER DAVID MARKSON REPUBLIC OF DREAMS EDWARD FIELD WHAT IS REMEMBERED ARTISTS ON THE EDGE:THE RISE OF COASTAL ARTISTS' COLONIES CONFESSIONS OF AN UNREPENTANT BEBOPPER Paperback 6" x 9" 264 pages ISBN 978-1-4710-6455-5 Published March 2012
Pierre Mac Orlan Translated by Alexis Lykiard
Pierre Mac Orlan (Pierre Dumarchey, 1882-1970) was one of the most original and versatile 20th century French authors. His main output in novels, short stories and poetry was both Protean and prolific, but in addition to his literary work, Mac Orlan was also a talented musician, political commentator, journalist and visual artist. The Oxford Companion to Literature in French has called Mac Orlan ‘the most prominent of the Montmartre writers of the inter-war years’, remarking on this extraordinary storyteller’s ‘apprenticeship in Montmartre Bohemia’. Mac Orlan is recognised as an ‘outstanding practitioner of the adventure novel’, whose fictions, initially influenced by Conrad and Stevenson, became ‘a powerful evocation of post-war inquiétude in the context of his own term le fantastique social’. Mac Orlan is now perhaps most celebrated for Le Quai des Brumes (1927), later so brilliantly filmed by Marcel Carné. But he also enjoyed producing a wide variety of erotica, such as Le Masochisme en Amérique (1909), published here for the first time in an unexpurgated English translation, together with Alexis Lykiard’s detailed and illuminating Introduction, plus bibliography and notes. Alexis Lykiard the Greek-born poet and novelist has published translations from the French since the 1960s. Best known for his own poetry and for his fully annotated translation of Lautréamont’s Complete Works, Lykiard has specialised in translating Surrealist texts and/or experimental erotic novels by poets, including Apollinaire, Aragon, Antonin Artaud and Alfred Jarry. Alexis Lykiard has also Englished many other 19th and 20th century French books often using the pseudonym ‘Celeste Piano’ – the protagonist of his 1974 novel Instrument of Pleasure. Paperback 6" x 9" 136 pages ISBN 978-1-4478-4656-7 Published November 2011
Jim Burns
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